Research, reflection, experimentation and analysis are present in my work. I use painting as the main means for the performance of my works, However, I do not understand its language as a pure system. I work the canvas as an experimental laboratory where all pictorial operations are manifested.

Painting has to do with many things: The colors, surfaces, shapes, lines, dots, strokes, gestures, stains and sensations. I emphasize the combination of visual expressions of error, diversity, heterogeneity, multiculturalism, hybridization, mixing, recycling, migration, interculturality, conflict and fragment. These are necessary tools to create a new concept of landscape and form.

I am interested in the exploration of the boundaries within the painting. The canvas is like a field of experimentation, where one person sees crisis another sees opportunity. This game of binomials is reflected in the fabric, the process of painting within the same painting, that's why we see errors, strokes and blots that serve as memory. I understand painting as a medium capable of representing the needs of working with a creative process as a contemporary method of research and understanding the environment.